Mezinárodní tisk
4. listopadu 2009
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The Jerusalem Post
arts & culture
A dream come true
Helen Kaye
Austrian designer/artist Gottfried Helnwein has created the set and costumes
For designer Helnwein, receiving the text of Levin's play was "an epiphany," because "when I read the play… I felt that I was looking at my [own] work." Much of this work concerns the images of children that society would rather not see. For IO general manager Hannah Munitz, this is a milestone production.
But Levin doesn't do surface; The Child Dreams is universal; it is at once a searing indictment of man's ghastly inhumanity to man and an anthem to mercy, even hope.
SHOHAT HAS worked, one and off, for 10 years on the score. He received the go ahead from Levin himself, just before the playwright's death, and says, "Hanoch paved the way; set the limits, and we all march in his light."
For IO general manager Hannah Munitz, this is a milestone production.
"Except for the designer, the choreographer and the conductor, everybody connected with this project is Israeli; a true achievement," she says happily, remarking, "what a long way we've come that we can muster such a long list of Israeli singers."
And it's true. When the IO debuted in 1984, and for years after that, there wasn't an Israeli principal in sight. The Child Dreams has an all-Israeli cast, including soprano Larissa Tetuev, mezzo Bracha Kol, tenor Guy Mannheim, baritone Noah Broger and bass Vladimir Braun. Veteran Levin actor Rami Baruch plays the non-singing role of The Bleeding Man.
The Child Dreams opens at the Israel Opera in Tel Aviv for only five performances starting January 18.




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